Enganxo un breu comentari que he trobat al Washington Post amb el què estic completament d'acord.
By Ann Hornaday
Washington Post Staff Writer
Friday, March 26, 2010
Perhaps not since Alfred Hitchcock has a filmmaker married eroticism and dread with the stylish virtuosity of Atom Egoyan. In "Chloe," which Egoyan directed from a script by Erin Cressida Wilson ("Secretary," "Fur: An Imaginary Portrait of Diane Arbus"), Julianne Moore plays a Toronto gynecologist named Catherine who suspects her husband, David (Liam Neeson), is having an affair. When she crosses paths with a beautiful young woman named Chloe (Amanda Seyfried), Catherine immediately sees the perfect opportunity to bait a sexual trap for David -- a plan that will have unexpected, possibly tragic and, for the movie itself, fatally absurd results.
Washington Post Staff Writer
Friday, March 26, 2010
Perhaps not since Alfred Hitchcock has a filmmaker married eroticism and dread with the stylish virtuosity of Atom Egoyan. In "Chloe," which Egoyan directed from a script by Erin Cressida Wilson ("Secretary," "Fur: An Imaginary Portrait of Diane Arbus"), Julianne Moore plays a Toronto gynecologist named Catherine who suspects her husband, David (Liam Neeson), is having an affair. When she crosses paths with a beautiful young woman named Chloe (Amanda Seyfried), Catherine immediately sees the perfect opportunity to bait a sexual trap for David -- a plan that will have unexpected, possibly tragic and, for the movie itself, fatally absurd results.
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